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Architecture and Art
Menšík, Daniel ; Rypl Žabčíková, Ada (referee) ; Toman, Radek (advisor)
The gallery often looks sterile, distant and snobbish. It is necessary to get closer to people, show them that the gallery is a normal ambience, where they can feel good. Really? Sterility is a unique possibility to rapture. Sterility allows critical distance. Sterility expands consciousness. Sterility dress too tight unfamiliar skin. It forces to alienate. It liberates. It abet to lose the meaning of everything, to find it again and then to lose it again. A sacrifice is needed. The art might rend ntrails.
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UNIVERSAL BASIC OPRESSION
Růžičková, Martina ; Jánoščík,, Václav (referee) ; Sterec, Pavel (advisor)
Master's thesis Polyamory Design Unit (PDU) explores the possibilities of collaboration between experts being active in fine arts, product design, graphic design, architecture and philosophy in order to create a speculative future scenario. Together with Jana Trundova, Simon Barak, Ondrej Mohyla and Lukas Likavcan, I create the concept and the presentation structure for a housing complex, which is designed for polyamoric coexistence of human and non-human entities. Such a coexistence is made possible by full automation of work and global implementation of universal basic income. These initial parameters constitute a big emancipatory potential, that could change present meaning of the concept of polyamory and thus redefine networks of relations in bigger scales too.
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Goodbye piece
Preťová, Nikola ; Brody, Ondřej (referee) ; Klímová, Barbora (advisor)
In my master thesis named Goodbye piece I explore food and fine arts as two individual creative processes. I notice the differences and similarities between them and based on my finding I create an installation artwork and text documentation.
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Autonomy of an artwork outside of the institutions of art
Hauser, Filip ; Piaček,, Martin (referee) ; Dub,, Petr (referee) ; Klímová, Barbora (advisor)
This dissertation thesis aims to reflect on the current evolvement of public spaces and increasingly common discussions of the lay and professional public about its impact and importance for a democratic society. The main topic, "Autonomy of an artwork outside of the institutions of art", focuses on searching for the autonomy of artwork in public spaces in the context of how the artwork was placed there. The thesis describes specific artworks which were placed into the public space using different methods, such as art competition, no competition, as a gift, or in a way of temporary art. These methods are examined to find the degree of autonomy. The degree of autonomy of artworks in public spaces is determined based on the applied analysis which, among other things, focuses on how efficient the result is in comparison to the method of placement. The field research resulted in complex, subjective, sculptural and artistic opinion on the current practice of placement of artworks into public spaces. Such professional and relevant opinion was then presented to the responsible authorities which have a significant impact on the creation of public spaces. The author aims to apply the acquired knowledge in practice by offering his professional opinions for the new elaboration of the government strategic document called "Politika architektury a stavební kultury České republiky" (loosely translated as "Politics of Architecture and Building Culture of the Czech Republic"), which is created by Ministry of Regional Development of the Czech Republic. The main results of the thesis describe the efficient approaches which lead to cultivation of public spaces and the significant role of art in them. Such approaches were in the thesis demonstrated by civic influence on the government strategies or civic activism in a form of citizens' initiative called "Je to i tvoje město" (loosely translated as "The city is your too") which actively participates in the public debate in Jindřichův Hradec, town on the South of the Czech Republic.
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Contemporary animation with focus on art education
Burianová, Tereza ; Raudenský, Martin (advisor) ; Jakubcová Hajdušková, Lucie (referee)
The bachelor thesis deals with the current form of animated production, especially the tendencies that have emerged in recent years. It presents the possibilities of different approaches to animation, working with it and its use in art classes or in workshops. Current trends are presented through specific animated films and the work of their authors. Emphasis is placed on filmography created in the Czech Republic, mostly for children. For a comprehensive view of the field, the thesis maps basic animation techniques and represents a common procedure in the creation of professional animated films. The thesis also provides a list of organizations, institutions and programs dedicated to the dissemination of animation, its education for both students and teachers interested in involving it in their classes. The author relies on a professional literature, as well as information from websites or blogs dealing with the issue of animation, its difficulties and beauties. The author herself has been interested in animated work for several years, so she also uses her own work and the knowledge associated with it as a source of information. In the practical part of the thesis, the author presents two videos. One of them is a guide describing how to make a simple animation puppet, based on the classic methods of...
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Comparison between fine art and musical pieces of composer Luboš Fišer
Kůsová, Lenka ; Bláha, Jaroslav (advisor) ; Gregor, Vít (referee)
This diploma thesis deals with comparison of five musical pieces of composer Luboš Fišer with fine arts. The thesis is divided in the two parts. In the first part we analyze general art trends in 1960s. We will make reference to the most important trends and personalities, who composed and painted in that age. We will also compare literature, fine art and music in Czech Republic in 1960s, which were the best years of Fišer's work. The second part of the thesis describes in detail five Fišer's pieces, which were composed in 1960s. These are Ruce - Hands (1961), Patnáct listů podle Dürerovy Apokalypsy - Fifteen Prints After Durer's Apocalypse (1965), Caprichos (1966), Double (1969) and Nářek nad zkázou města Ur - Lament over the Ruined Town of Ur (1970). Analysis of those pieces is based on comparison with inspiration sources (Albrecht Dürer: Apocalypse, Francisco Goya: Caprichos, old Sumer text called Lament over the Ruined Town of Ur) or it is based on comparison of Fišer's composition method with fine art piece (Double) or it is analyzed just from the semantic point of view of the piece (Hands). Goal of this work is to present composition of distinguished Czech composer Luboš Fišer to general public using analysis of his pieces. In the future, this work should be used for creation of composer's monograph...
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Copyright protection of visual arts
Zajíčková, Zuzana ; Dobřichovský, Tomáš (advisor) ; Žikovská, Petra (referee)
in English Fine Arts and other types of Visual Arts Copyright This dissertation deals with copyright law with a special focus on fine art and modern forms of contemporary visual art. The introduction describes in brief the copyright, especially its inclusion in the law system, the definition of basic principles and sources of law. Further it concentrates on personal and property authors' rights in its specific forms. The next chapter deals thoroughly with the legal definition of fine art, including both its traditional and modern forms. The following part summarizes the means of legal protection of fine art, by both private and public actions. The fifth chapter presents a legal and philosophical reflection on the protection of art in public space, street art and graffiti, the unique art forms that come often into conflict with the third parties' rights. The sixth chapter is a follow-up to the previous and addresses the legal regulation of urban art (street art and graffiti) in France. The seventh chapter analyses the well-known cases related to copyright disputes in Czech legal environment. The next part is focused on copyright and its concept in France, the historical and philosophical context, the definition of copyright and the obligatory conditions of protection. This chapter also contains a...
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Media image of czech fine art in czech media in 1948-53
Dušková, Kateřina ; Köpplová, Barbara (advisor) ; Knapík, Jiří (referee)
The thesis aims to describe the media image of the czech fine art during 1948-1953 in the cultural periodicals "Kulturní politika", "Tvorba", "Var" and "Lidové noviny". It focuses on two topics that occurred most frequently in these periodicals;That is the definition of art and socialist realism and shaping artists and society. Social realism is characterized not only by description, but also by inspiration sources like Czech fine art of 19th century and the tendency to oppose competitive or similar artistic styles and trends like formalism, naturalism, academicism and kitsch. Shaping the artists and society is understood in terms of upringing, education and enlightenment. In connection with these two areas this thesis focuses on history, cultural policy of the Communist Party, the organizational structure of artistic production, distribution of art, shaping artists, penetration of art into public and private space, socialist realism and an attitude of visual artists to new conditions of artistic production. Different features were also included to capture the uniqueness of each periodical. The starting point of the thesis is a historical and qualitative analysis.
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Specific aspects of 20th century artwork of educational programme in gallery
Krechler Barešová, Veronika ; Bláha, Jaroslav (advisor) ; Kitzbergerová, Leonora (referee)
The thesis focuses on difference between theoretical and didactical aspects of work with artwork of so-called great styles (from the Romance art until art of 19. century), modern and postmodern artefact. It surveys the current thought of the early 21st century about art and visual culture. On the basis of this thought educational programs for gallery space come up. Within the framework of the thesis, two confrontational gallery educational programs have been proposed. At the end of the thesis, based on the comparison of these programs the specific aspects of 20th century artwork of educational programme in gallery have been formulated.
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